Forever welcomes Chris Karlsen back to the blog for an article on writing romantic
suspense books as a retired detective.
twenty-five years in law enforcement, I thought I was pretty much done with all
things police related, other than watching a couple of shows on television. I could
finally write the romance story I’d had in my head for three decades. Since it was
a romance and not a thriller or mystery, it never occurred to me that I’d wind up
applying skills directly and indirectly learned conducting investigations. How wrong
Heroes Live Forever, and Journey in Time, were part of a paranormal series. Heroes
had a reincarnation aspect to the story. The hero and his best friend are aware
of what is happening when they enter into the experience. The heroine has no memory
of her previous life and connection to the hero. In order to convince her that the
outrageous tale he tells is true, as I wrote the scene, I put him across the interview
table from me. I mentally returned to my detective time. I asked myself what questions
would I ask a victim/witness/suspect. What answers would they need to give me to
convince me they were telling the truth? To convince the heroine, they had to convince
me first. If I believed it, I could make it believable on the page.
Journey in Time, I knew I wasn’t done with my police experience. This story required
knowledge of evidence, along with another exchange involving an outrageous tale
to convert a doubter to a believer. In this story a modern couple has been transported
back to Fourteenth Century England, an England
preparing for war with France.
The hero in this book is the best friend from the first novel. He is a product of
reincarnation. He has lived in this time and place before, and retains his memories
from the period. The heroine is a modern London
attorney who has been caught in the time portal with the hero. This time it is his
turn to sit across the interview table in my mental interrogation room. I put myself
in her place and questioned him relentlessly. I searched for the answers I needed
him to give to make me believe that I am indeed part of a terrible and dangerous
situation with no clue how it happened or how to return to the modern world. Unless
they find a way out, he will die in battle. History cannot be changed, including
his death. She would be alone in the alien medieval world.
a scene where the king orders the heroine to stay as a “guest” of a wool merchant,
who’s a favorite of the queen. It turns out the man is a vicious brute who attempts
to sexually assault her. She fights off the initial assault but is badly beaten
in the process. The hero locates her and brings her back to court and the wool merchant
back to stand trial. The merchant falsely accuses her of a crime. His testimony
is nothing but lies in an effort to defend the beating he gave her. The heroine
must present her side of the case before the king and entire court. I used my experience
testifying in criminal trials and had the heroine ask the questions a prosecutor
would’ve asked me or the defendant. I had the heroine use evidence that I’d use,
if this had been my case to present to a judge or jury. Lacking the technical equipment
and scientific means we have at our fingertips today, I relied on the most obvious
physical evidence available that could be seen and touched. I didn’t want the trial
to be an easy time for her. In my head, I laid out the crime scene and visualized
what she could take from there back to court. I went over the scene again and again,
like a detective does looking for anything I might’ve missed.
Chariot and Byzantine Gold, are from a different series. They’re romantic thrillers.
Golden Chariot involves the murder of a Turkish government agent, artifact smuggling,
and the kidnapping of the heroine, a nautical archaeologist. She has a loose connection
to a private collector who purchases looted relics on the Black Market. The Turkish
agent sent to investigate the first agent’s murder must also investigate the heroine
further. Between my detective background and my research, I was able to put together
enough of the foreign legal process to make the investigation relatively accurate.
It should be noted that much is different with regards to due process and the judiciary
system. I was also able to use the heroine’s ignorance of how a foreign agency employs
due process to create a great deal of fear in her.
story, she is kidnapped and taken to a contract killer’s compound. I had a very
basic, I stress very basic, idea of the tactics needed to extract her. Here my background
came in handy but not as a result of my personal experience but with who I knew.
I had a friend who headed up a SWAT team for a major city. He was also in the Marine
Corps Reserves. After the invasion of Iraq,
he was deployed to both Baghdad
and Fallujah. His job was to teach young Marines urban crisis entry. He had retired
from both the police department and the military when I was writing Golden Chariot.
I called upon him to help me with the tactics, including the use of explosives and
how the extraction team would deploy once they gained entry into the compound. Phone
calls, emails, and drafts went back and forth. He was a great help and I was and
am incredibly grateful for his patience and assistance.
the contract killer from Golden Chariot, in addition to a terrorist cell. The killer
is hunting the hero, bent on revenge. In a scene early in the story, he plans to
shoot the hero. I fired several different types of weapons over my career. I was
able to use my knowledge of range capacity, in addition to types of weapons the
killer might employ build that scene. I also used my experience in a later scene
involving a sniper type attack.
Gold, there’s a tactical operation where the terrorists are involved. As I mentioned,
my tactical knowledge is limited. But once again, I was able to call upon a friend
who is more than a friend, I asked my husband. He spent three years in the military
and thirty-one in law enforcement. While we sat in a hotel bar in Chicago, he helped me lay
out the schematics for the operation on cocktail napkins. While I was talking about
terrorists and how they’d approach, I noticed the man next to me giving me a rather
strange look. I half expected Homeland Security or the FBI or someone from one of
the alphabet agencies to rush into the bar and drag me off for questioning. I quickly
inserted a code word for terrorist.
only say that when I began writing, I was firm in my conviction that in no way would
I relive my career through my characters. I did not want to write cop stories. I
love to read them and have several favorite authors who write fantastic ones. They
weren’t for me. I laugh now as I see in every story a part of the last twenty-five
years coming through my character’s lives. Fortunately, it has been to our mutual
About the Author
raised in Chicago.
My father was a history professor and my mother was, and is, a voracious reader.
I grew up with a love of history and books.
love traveling, a passion they passed onto me. I wanted to see the places I
read about, see the land and monuments from the time periods that fascinated
me. I’ve had the good fortune to travel extensively throughout Europe, the Near
East, and North Africa.
police detective. I spent twenty-five years in law enforcement with two
different agencies. My desire to write came in my early teens. After I retired,
I decided to pursue that dream.
the Pacific Northwest with my husband, four
rescue dogs and a rescue horse.
series. After that, I hope to start book 3 in my Dangerous Waters series, which
the series Golden Chariot and Byzantine Gold are from.
(book 1 in Knights in Time series)
(book 2 in Knights in Time series)
(book 1 in Dangerous Waters series)
Books Coming Soon
(Knights in Time series)